Maori Hi-Five Profile

Chris Bourke
21 May 2013

An evening with a showband was a mix of musical comedy and cabaret, tourist variety act, vaudeville show and rock and roll dance.

The showbands could perform soulful ballads then a satiric skit, make fun of their Māori culture while also educating the audience, while always displaying dazzling virtuosity yet looking spontaneous. The Maori Hi-Five is considered the first true Māori showband: The group exemplified the genre.

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Hi-Five Mambo at The Cabana Club, Wellington, 1958: Sol Pohatu, Jimmy "Junior" Rivers, Ike Metekingi, Robbie Hemi and Costa Christie
Photo credit: Costa Christie collection
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The Māori Hi Five in Nelson, 1963
Photo credit: Nelson Photo News
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Solly Pohatu documentary on Waka Huia, 2016
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Hippy Hippy Shake
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1963 tour programme
Photo credit: Chris Bourke Collection
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The Hi-Five support a certain band in Hong Kong in June 1964
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The Māori Hi-Five in June 1964 in Hong Kong with The Beatles: Paul McCartney, Wes Epae, John Lennon, Kawana Pohe, Paddy Te Tai, George Harrison, unknown hotel staff (kneeling), Robert Hemi Te Miha, Solly Pohatu and the local agent. Ringo Starr joined the tour later, after having his tonsils removed in London. 
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Paddy Tetai, Mary Nemmo, Wes Epae, and Solly Pohatu
Photo credit: Gisborne Photo News
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The Hi-Five Mambo in Wellington in the early 1960s
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The 1963 single Putti Putti, released in the UK on EMI's Columbia label
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Poi Poi
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Putti Putti
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Leedon was an Australian label owned by American promoter Lee Gordon and Australian rocker Johnny O'Keefe. The Māori Hi-Five recorded three albums for the label, with Serenade In Blue being the first, issued in February 1961.
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My Blue Heaven
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The 1960 double A-sided single Oasis / American Patrol on the Australian Rex label
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Hi-Five Mambo, from left: Jimmy Rivers, Rob Hemi, Sol Pohatu, Ike Metekingi, Costa Christie. Taken at the Cubana Club, Wellington 1958
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Wes Epae Mary Nemmo, Kawana Pohe, Paddy Tetai, Peter Wolland, Robert Hemi and Solly Pohatu in Gisborne
Photo credit: Gisborne Photo News
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From left: Mary Nimmo, Kawana Pohe, Paddy Te Tai, Peter Wolland, Robert (Hemi) Te Miha, Solly Pohatu and (front) Wes Epae.
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Gisborne being entertained by King Solomon Pohatu
Photo credit: Gisborne Photo News
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The Māori Hi-Five in Wanganui, October 1958: Ike Metekingi, Costa Christie, Jimmy Rivers, Robbie Heke, Fron The Pro (a guest) and Solomon Potahu
Photo credit: Costa Christie collection
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1958 (Maori) Hi-Five Mambo song list comprised mostly of Latin tunes reflecting the 1950s popularity of groups like Louis Alberto Parana and the Trio Paraguayos.
Photo credit: Costa Christie collection
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Maori Hi-Five, Pigalle Club, London
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The Māori Hi-Five in London with their Roller, 1962
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On the Australian Leedon label, the eponymous 1963 album by the Māori Hi-Five is considered their best 
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Wellington, 1958: Costa Christie, left, with original Hi-Five manager Jim Anderson. Later known as "Big Jim" in Sydney's King's Cross, he was an associate of notorious nightclub operator Abe "Mr Sin" Saffron. In 1970 Anderson fatally shot a "standover man" in a Sydney nightclub. 
Photo credit: Costa Christie collection
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Labels:

Leedon


HMV


Columbia


Rex

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Trivia:

In December 1961 in Disc magazine, producer George Martin is quoted as saying "I have just signed an outfit that does sound different – the Maori Hi Fives. I think they’ll be a sensation". Sadly nothing seems to have come of this.

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Members:

Ike Metekingi

Solomon Pohatu

Rob (Hemi) Te Miha

Fred Tira

Junior Tuatara

Paddy Te Tai

Costa Christie

Kawana Pohe

Tuki Whittaker

Peter Wolland

Wes Epae

Charlotte Pohe

Mere Nimmo

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