Pitch Black Profile

Gary Steel
17 Jan 2014

Why has Pitch Black survived, flourished and presided over our electronic landscape, while so many acts have briefly shone, only to quickly dissipate?

Well, even projects steeped in circuitry and synthesis benefit from complementary personalities, and my guess is that the partnership forged between Mike Hodgson and Paddy Free back in 1996 has worked in innumerable ways to keep the duo’s sleek grooves ticking.

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Pitch Black sheltering from a rainstorm, November 1997
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Pitch Black at Auckland Museum
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A poster for Pitch Black at The Liquid Room, Tokyo, July 2006
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A poster for the Elbo Room, San Francisco, October 2005
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Empty Spaces, Missing Units (Module Remix)
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Pitch Black at the Big Day Out, 2006
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Pitch Black - Michael Hodgson and Paddy Free
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Pitch Black at The Engine Room
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The Technical Sessions - Pitch Black Interview from 2010
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Pitch Black at Big Day Out, 2005
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Paddy Free and Mike Hodgson, Liquid Room, Tokyo 2006
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Pitch Black at Splore 2010
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Pitch Black
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Pitch Black live at Cargo, London, July 2008
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Pitch Black's Paddy Free with Universal NZ staff at the 1999 NZ Music Awards - Al Cain, Paddy, Grant Kearney and MD George Ash. Universal distributed Kog Transmissions, Pitch Black's label.
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Bird Soul (Subtone Remix)
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Pitch Black at the 2011 Kotahitanga Unity Concert in Paeroa
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Paddy looking for the lost data flow!
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NZ Musician, August/September 2000
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Pitch Black at Splore, 2010
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Lost in Translation (International Observer meets Horace Remix)
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Michael Hodgson and Paddy Free
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Late 1990s publicity shot
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Pitch Black
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Members:

Paddy Free - electronics, programming

Mike Hodgson - electronics, visuals

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Trivia:

Free’s mind was melted well before Pitch Black, when he worked on Killing Joke’s trance-oriented 1994 album, Pandemonium. This was his introduction to programming, engineering and production. Later, he would work with Crowded House, Neil Finn, Supergroove, Emma Paki, Stellar* and others; and he would win a Best Producer award for his work with Salmonella Dub on The Dub Plates album.

Pitch Black’s music has been used on several television shows, including True Blood and, improbably, CSI: Miami.

Mike Hodgson’s Misled Convoy ambient project performed in “quadrophonic” sound at Gary Steel’s record shop/venue, Beautiful Music, in 1999. Ben Harris released a limited edition CD of the event on his Systematic label.

Paddy Free released his collaboration of taonga pūoro-influenced sounds with Richard Nunns, Karekare: Te Reo O Te Whenua (Dub Conspiracy) in 2008.

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Labels:

Remote


Kog Transmissions