AudioCulture is, “the noisy library of New Zealand music”.
AudioCulture is an online celebration of the people who have created the music, the scenes they shaped, and the audiences they played to.
On AudioCulture, visitors can read about the People, Labels and Scenes, listen to music (via Spotify and Soundcloud), watch music videos (via NZ On Screen and YouTube), listen to interviews and performances (via Radio New Zealand National), view images (photographs, posters, hand-written song lyrics and more), and browse discographies (via Discogs); and share AudioCulture content with their social media friends.
AudioCulture is working with artists, historians and music industry people to tell the stories of nearly one hundred years of New Zealand popular music culture, from the first vinyl recording in the 1920s to digital streaming.
AudioCulture is an ongoing work in progress, with gaps being filled and stories being added continuously.
As it continues to grow, AudioCulture will evolve into a valuable cultural asset: a repository of Aotearoa aural history treasures, from Aaradhna to Zonk. The site kicked off with 250 pages, ranging from Bill Sevesi to Bic Runga, The Clean to Concord Dawn, Lew Pryme to La De Da’s, Māori Hi-Five to Manuel Bundy. Another 300 pages are following in AudioCulture’s second year.
Many of the stories of New Zealand music are stories of Māori music. From waiata sung in Te Reo to the towering personalities of Howard Morrison, Dalvanis and Prince Tui Teka, and contemporary wahine Moana Maniapoto and Anika Moa. AudioCulture also strives to encompass influences from New Zealand's wider ethnic diversity, including Pacific and Asian music and musicians.
AudioCulture is the brainchild of respected NZ label owner, writer, producer, DJ and broadcaster Simon Grigg. He is AudioCulture’s Creative Director and founder, and is joined by long-time RipItUp editor and label owner Murray Cammick, and musician and writer Steven Shaw, the site's Wed-Editor. AudioCulture has curated a pool of more than 35 noted writers and contributors. AudioCulture also has photographs from the lenses of many documenters of New Zealand’s music scene, including a large number of never-before-published original images. We add to these continually.
The site is funded completely by NZ On Air and overseen by the same trust that’s in charge of its sibling project: the award-winning screen showcase NZ On Screen (Digital Media Trust). National Library of New Zealand is an AudioCulture partner, and the site links to and sources from many (extraordinary) existing online archival sources.
AudioCulture is for everyone with an interest in New Zealand popular music, whether they are a music fan looking for entertaining information, an academic looking for facts and figures, or a nostalgia-buff going on a trip down memory lane.
The project welcomes contributions – written and visual – from writers, fans, and those who were in the mosh pits, bedrooms and on the dance floors.
This interview with Simon Grigg and Murray Cammick appeared on Radio New Zealand National on 30 November 2013:
The project is governed by an independent Charitable Trust, the Digital Media Trust, comprising four independent Trustees and up to three appointed by NZ On Air.
Trustees: Teresa Shreves (Chair, lawyer), Russell Brown (media commentator), Robin Scholes (producer), Geoff Lealand (academic), Chris Caddick (Chairman, Recorded Music NZ Board) and Jane Wrightson (CEO, NZ On Air).
AudioCulture is brought to you by:
Simon Grigg – Creative Director, Curator
Tess Bullen - Project Director
Murray Cammick – Contributing Editor
Steven Shaw - Web Editor
Chris Caddick - Project Manager
James Kirkus Lamont – Web Wrangler
NZ On Screen
A number of people have contributed to the site, and/or have provided their time, energy and inspiration. These include: Brigid Grigg-Eyley, Michael Potton, Brendan Smyth, Brenda Leeuwenberg, Gemma Gracewood, Sandy Mamoli, Andy Neale, Emerson Vandy, Matt Steindl, Andrew Tidball, Manu Taylor, Chris Hocquard, John Dix, Liisa McMillan, Cath Andersen, Andrew Clifford, Ant Healey, Adam Holt, Stephen O'Hoy, Will Pollard.
AudioCulture has received outstanding support from a number of music industry-related organisations. The Trust would like to thank in particular:
- NZ On Air
- Recorded Music NZ (formerly RIANZ): for broad and ongoing support in the establishment of AudioCulture.
- New Zealand Music Commission: for ongoing support and encouragement in the AudioCulture project.
- Independent Music New Zealand: for coordinating and giving voice to the independent record labels who have been the life-blood of the New Zealand music industry for many years.
- National Library of New Zealand
- APRA/AMCOS, and Recorded Music NZ (formerly PPNZ): for assistance with music rights clearances and for ongoing support for AudioCulture.
- Radio New Zealand
- To the extraordinary writers, photographers and video makers who have contributed to AudioCulture.
- To the many music historians, bloggers and writers who have inspired AudioCulture.
- And perhaps more than anyone to the vast number of passionate New Zealanders who have created the unique sounds that we are wanting to document in AudioCulture.
- Our work is also shared by Wellington City Libraries.
Images have been licensed or cleared with the copyright owners, however where we have been unable to contact the owners best efforts have been made. See the site Terms and Conditions for more information.